Sunday, August 25, 2019

Ready or Not: No, I’m Not Making That Joke


Andie MacDowell, Henry Czerny, Adam Brody, Nicky Guadagni, John Ralston, Elyse Levesque, Melanie Scrofano, Mark O'Brien, Kristian Bruun, Samara Weaving, Daniela Barbosa, Celine Tsai, and Hanneke Talbot in Ready or Not (2019)

August is what I’d like to call a “wild card” month for movies. There are certain times of the year where you can expect certain types of film (big budget blockbusters in the summer, prestigious Oscar-bait films in winter etc.), but then there are times where it’s more of a crapshoot. January is typically a month-long dry spell since it’s when studios dump out all the garbage they have no faith in, but August is when they release all the films they have no idea what to do with, or they know would get swallowed up by bigger competitors. Ready or Not is one of those films that would’ve been buried alive if released on any other date, but here gets a fighting chance to at least attain cult status.

Our story follows Grace (Samara Weaving) on her wedding day. She’s just gotten hitched to her boyfriend Alex (Mark O’Brien), the wealthy heir to a gaming company, although Alex has distanced himself from his stuffy old money family up until recently. The family has an ongoing tradition: whenever a new member enters the fold, they have to play a randomly selected game. The game appointed to Grace: hide and seek. But there’s a twist. The rest of the family will be hunting her down, brandishing guns, axes and crossbows, and if they find her, they’ll sacrifice her as part of a ritual that has supposedly kept their wealth and power running. With Alex’s help, Grace tries to survive until dawn and make her escape.

Ready or Not is a darkly comedic satire of the 1% that isn’t particularly insightful or witty in its takedowns, but makes up for it in the gore department. The premise is a gleefully gory twist on the man hunting man tale a la The Most Dangerous Game or The Purge, but what tips it into comedic territory is how incompetent the hunters are. But the biggest insight this movie has is that for all of their talk of superiority, tradition and duty, these blue-blooded freaks have no idea what the hell they’re doing. Their big tradition only requires that the newlywed plays a game, but the blushing bride had the misfortune of picking the only one where her life was on the line, something neither the family or groom were anticipating or looking forward to.

Aside from being wildly unprepared, the family spends the majority of their time lamenting that they have to use antique weapons and arguing over whether using security cameras is cheating. It takes a few maids accidentally getting shot or crushed before anyone gets the hang of it. That and the mansion being a massive labyrinth with a network of hidden corridors gives Grace ample time to avoid their gaze and make decisions to give her an advantage like cutting up her dress so she can move faster.  Some have criticized the trailers for supposedly giving away the best kills, but this movie uses fake blood the same way Gallagher uses watermelons. The film combines the absurdity of Clue with the social commentary of The Purge and the fatal mind games of You’re Next.

The cast does surprisingly well given that most of them are more caricature than character. The hunting party consists mostly of the types of character tropes you think of when you think of snooty rich people (the strong-jawed patriarch, the shrewd aunt, the underachieving washup, the ditz etc.), but there are moments where they rise above their template, most notably Adam Brody as Alex’s depressed alcoholic brother who takes no joy in the game but feels duty-bound to participate. Of course, the show absolutely belongs to Samara Weaving, who between this, The Babysitter and Ash vs. Evil Dead has become an up and coming scream queen to look out for. At one moment she catches a glimpse of herself in her tattered wedding dress, covered in blood, armed with an old fashioned hunting rifle and an ammo sash, and for a minute it seems like she’s admiring this badass makeover, only to lament the absurd situation that put her in this getup in the first place.

Bottom line, Ready or Not may not be the most original horror movie out there but its punk-rock attitude and sardonic absurdity makes it stand out. If you’re one of those people who were thrown in a tizzy about The Hunt getting pulled in the aftermath of a series of mass shootings, then its eat-the-rich attitude probably won’t be your flavor of gory catharsis. For the rest of you, this’ll be something to look forward to, especially in the dog days of August.

7/10

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