Monday, November 21, 2016

Arrival - When Smart Sci-fi Makes First Contact


WARNING: THIS REVIEW CONTAIN SPOILERS!
Arrival is one of those movies that builds up to a huge twist at the end, and how you felt about said twist is ultimately how you felt about the movie. I for one think that this movie is fantastic and everyone should see it regardless of whether the twist works for them or not, but we can't really gauge that without actually discussing it. So I'm going to discuss the movie as a whole first, then put up a spoiler warning before I get into the twist so you know where to stop. We good? Good. Now on with the review.


Language is a funny thing. It's the most complex system ever designed by the human brain, a means of written and spoken communication that only we are capable of, and yet it is the backbone of all civilization. One of the things that made it so hard for us to bridge the gap of foreign societies has been our attempts, and in some cases failure, to translate our wildly different languages. A simple misunderstanding could spell disaster. Wars have been started because something got lost in translation. (Just ask Arthur Dent.) That is the dilemma faced by the cast of Arrival, an alien invasion film where the difference between war and peace leans on learning a whole new means of communication.

Alien starcrafts have mysteriously appeared dotted around the globe. Nobody knows where they came from or what they want. To figure this out, the American government hires linguist Louise Banks (Amy Adams) to board one of the ships to learn their language, accompanied by mathematician Ian Donnelly (Jeremy Renner) and U.S. Army Colonel Webber (Forest Whitaker). But the process is slow and the world powers start getting antsy and threaten to turn their armed forces on the aliens if they don't find an answer fast.

This movie comes to us courtesy of Denis Villeneuve, a director who I'd argue is the more genre-savvy spiritual successor to David Fincher. As evident by films like this, Sicario, Prisoners and Enemy, Villeneuve has a knack for slow-burning character dramas that delve into the human nature under dark circumstances while daring audiences to figure out what's really going on behind the curtain. In Sicario, an idealistic FBI agent has her beliefs challenged when she finds her squadmates are willing to play just as dirty as the drug cartel they're trying to take down. In Prisoners, a man goes to horrific measures to find his missing daughter. Arrival isn't nearly as dark as those movies, but it still explore some serious themes, in this case our fear of the unknown and our attempt to understand the unfathomable. The aliens, while clearly octopus-like in form, remain shrouded in fog behind a glass barrier. They travel in ships where the laws of Earth's gravity do not apply. Their written language is completely foreign to any other on Earth. And later on we find out that what we had been seeing up until then wasn't even their entire form.

But even though the film hangs the fate of the world in the balance of learning about these foreigners, this is ultimately Louise's story. Amy Adams brings a lot of gravitas and emotional vulnerability to this character, as she struggles with memories of a tragic past that disrupt her focus, but we'll get back to that in a minute. That's not to say she carries the entire movie herself. Jeremy Renner does a pretty good job of bringing a dry sense of humor that saves the movie from being overly serious, and Forest Whitaker does well as a colonel who isn't a trigger happy moron, but realizes the importance of getting the job done.

But to really get into the meat of why this movie is so great, I have to talk about the twist, and unfortunately I can't do that without getting into spoiler territory. Bottom line, this is one of the best movies of the year and you should see it as soon as you can, but if you want to experience it with fresh eyes, I suggest you close the review now. If you have seen the movie or don't care for spoilers, just keep on reading.

SPOILERS AHEAD!
So the main reason the aliens have arrived is to teach us their language, thus providing us with a universal form of communication and theoretically uniting us all. They communicate by squirting out this ink-like substance that form intricate rings, each of which is its own complex sentence. The sentences are circular rather than linear like our own language and leave no room for misinterpretation. They also perceive time in a circular manner and can see into the future in the same way that we can remember our past. Their language is so hard-wired that anyone who learns it will gain this ability, which exactly what happens to Louise. See, the movie is peppered with flashbacks to Louise's past, particularly surrounding the life and death of her daughter. Except Louise never had a kid, and what we thought were memories of the past were actually Louise seeing into her own future. Not only is this a tremendous feat of screenwriting, but it also helps to punctuate the movie's overall themes. How are our choices affected when we know the outcome? Are they really choices if we know the outcome? It's like Louise asked herself (and vicariously, the audience) at the very beginning, “If you could see your whole life laid out in front of you, would you change things?”
END SPOLIERS.

So yeah, Arrival definitely deals with some really out there ideas, but if you're looking for something that'll stimulate your mind, this will more than satisfy. It sure did for me and this movie has a spot secured on my year end top 10 list.

9/10

No comments:

Post a Comment